Cars Coffee Cinema Meet Up
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Join us every other Sunday in the summer at the Playhouse Parking Lot for a morning of
Classic and modern cars, community connection, and coffee (courtesy of Happy).
No registration needed — just drive in via Windmill Lane, park, and enjoy.
At 10:15 AM, we shift gears with a special car-themed film screening.
Whether you're bringing a car or just coming to enjoy the atmosphere, all are welcome. See you there! Spectators welcome so tell your friends!
Dates: July 20th | August 3rd | August 17th | August 31st
Car Meet-Up: 9:00 AM | Free | No Registration Required
Where: 43 Hill St., Southampton, NY 11968 (Parking Lot)
Film Screening: 10:15 AM | Tickets $10 | Rain or Shine
FOR INFORMATION ON WHAT'S PLAYING IN THIS SERIES SEE BELOW
Showtimes
Showtimes FREAKIER FRIDAY | 1:00PM, 2:30PM, 5:10PM, 7:30PM F1: THE MOVIE IN IMAX | 1:30PM Highest 2 Lowest | 2:00PM, 5:00PM, 8:00PM THE NAKED GUN | 3:15PM, 5:10PM, 7:00PM, 9:00PM BECOMING LED ZEPPELIN IN IMAX | 5:00PM STOP MAKING SENSE IN IMAX | 7:30PM
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CARS, COFFEE, CINEMA: Meet-Up
Dates: July 20th | August 3rd | August 17th | August 31st
Car Meet-Up: 9:00 AM | Free | No Registration Required
Where: 43 Hill St., Southampton, NY 11968 (Parking Lot)
Film Screening: 10:15 AM | Tickets $10 | Rain or Shine
Start your Sunday morning with great cars, good company, and complimentary coffee, courtesy of Happy Coffee. Stroll the lot, connect with fellow car lovers, and enjoy the atmosphere. Stick around after the meet-up for a 10:15 AM screening inside the Southampton Playhouse.
Movie titles announced the week of each meet-up – follow us on our website and socials for updates!
This community event is made possible by your support—Southampton Playhouse is a 501(c)(3) nonprofit organization.
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Trailer
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But 28 Years Later is a different beast. While the first two movies revolved around an attempt to stop the virus from spreading, the new movie shows the bleak aftermath of those efforts, with the UK existing in an ongoing quarantine limbo, while the rest of the world has moved on. It’s here that 12-year-old Spike (Alfie Williams) lives in a gated community on an island with his alpha-male dad (Aaron Taylor-Johnson) and ailing mom (Jodie Comer). Spike’s view of the world shifts from his father’s domineering guidance to a new sense of autonomy as he takes charge of his mother’s fate. Ultimately wandering the rage-infested countryside, Spike learns how to grow up in a broken world by gradually navigating it on his own terms.
His journey takes several tense and gory turns, but the second half of the movie shifts into more of a melancholic, lyrical mode as it transforms into a deeper meditation on loss and the maturity necessary to overcome the alienating power of grief. It then arrives at a zany, unexpected finale that sets up the upcoming sequel, while extending the commentary of the movie to a final target that won’t be spoiled here. Needless to say, it’s a funny and strange tonal shift that only a filmmaker with complete confidence in his material could pull off.
Boyle has always excelled at injecting flashes of dark comedy into unexpected situations, from Shallow Grave to 127 Hours. His latest is pretty grim, but not afraid to mine humor from the unseemly circumstances of a chaotic world. 28 Years Later is as much an auteur film as Wes Anderson’s The Phoenician Scheme. It has all the hallmarks of Boyle’s filmmaking going back to his Trainspotting days: gritty characters, a relentless pace, and needle drops of the highest order. It’s thrilling, intense, and rich with meaning: a zombie movie to die for.
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